I'll teach you some good bad habits. You'll need 'em.
Art Show: “Know Gays Aloud,” at Art for Change in New York
When I read about the current show at Art for Change, “Know Gays Aloud,” it sounded appealing to me on two levels. First, I believe that the direction this country takes in its official policies towards gender identity and sexual orientation will be absolutely vital in determining what kind of society we want to create, and will have wide-ranging implications for how we exist in the wider world and what kind of example we will set for how humans should treat each other when resolving struggles of all kinds. Second, I simply think that there is a lot of artwork being created at the moment that is interesting and beautiful whether or not one is aware of its connection to current LGBT political issues. I’ve always appreciated visual art that is appealing both within and independently from the statement it was created to communicate.”Founded in 1997 by Eliana Godoy and receiving non-profit status in September 2001, Art for Change (AfC) is an organization expressly dedicated to the utilization of art as a stimulus for social change. Based in “El Barrio,” or East Harlem, New York City, AfC has extensive experience in reaching out to disadvantaged youth, with a significant number of Hispanic clients. As an entirely volunteer-run association, AfC continues to draw from a diverse and vibrant network of volunteers – a strength in its outreach, fundraising and administration. The commitment of its volunteers is demonstrated in the willingness to donate their talents in administrative duties, as well as film-making, murals and youth outreach. AfC has worked with youth and families since its inception, through a variety of programs: the organization of a youth music festival in Uyuni , Bolivia ; Art and Technology, training youth in digital media; a youth internship program; and exhibits and performances by youth in AfC’s gallery space.”
“The LGBT community has struggled to ensure equality of their civil liberties for over three decades. Though there has been significant progress in obtaining equal rights in the United States, such as the recent vote that passed a marriage equality law in New York, violence still persists against the LGBT community especially in minority populations. The increase in hostility towards the LGBT community in the Caribbean, the Middle East, and Africa has led to a rise in murders and teen suicides, notably for the transgendered. In Puerto Rico, even though murders of transgendered are becoming more frequent, the government is seeking to take these crimes off of the list of hate crimes, further justifying these acts of violence. This exhibition aims to expose the violence and prejudice that LGBT communities of color have endured through systematic cultural and religious persecution. Art for Change seeks work that reacts to this injustice.”
“Know Gays Aloud” is a group show, and here is a sampling of photos I took during my visit. As always, please forgive the poor quality of the images, and go see the work in person to get the full effect!
Darlene Aschbacher’s piece, “Extended Obituary.” According to Aschbacher’s artist statement, “Nearly 200 transphobic murders were painstakingly recorded last year by the Transrespect vs. Transphobia project. Statistics suggest that Brazil, the U.S. and Honduras rank at the top with Brazil accounting for more than half of the transphobic murders. Between November 28, 2010 and January 9th, 2011 trans people were slaughtered at a rate of more than one a week in Honduras, a population smaller than London. Using a specific image on a specific day from the New York Times obituary page, I recreate these images onto 5”x5” paper. My current work, ‘Extended Obituary,’ is a perpetual work in progress.”
If you would like to visit the gallery, they are located at 1699 Lexington Ave, between 106th & 107th streets, in a basement-level storefront. Their hours are: Fridays from 6:30 to 8pm and Saturdays from 1-5pm.
http://art-of-inclusion.blogspot.com/2012/04/art-show-know-gays-aloud-at-art-for.html
In Spain, the unemployment rate among workers under 25 is more than 50 percent. In Ireland almost a third of the young are unemployed. Here in America, youth unemployment is “only” 16.5 percent, which is still terrible — but things could be worse.
And sure enough, many politicians are doing all they can to guarantee that things will, in fact, get worse. We’ve been hearing a lot about the war on women, which is real enough. But there’s also a war on the young, which is just as real even if it’s better disguised. And it’s doing immense harm, not just to the young, but to the nation’s future.
Let’s start with some advice Mitt Romney gave to college students during an appearance last week. After denouncing President Obama’s “divisiveness,” the candidate told his audience, “Take a shot, go for it, take a risk, get the education, borrow money if you have to from your parents, start a business.”
The first thing you notice here is, of course, the Romney touch — the distinctive lack of empathy for those who weren’t born into affluent families, who can’t rely on the Bank of Mom and Dad to finance their ambitions. But the rest of the remark is just as bad in its own way.
I mean, “get the education”? And pay for it how? Tuition at public colleges and universities has soared, in part thanks to sharp reductions in state aid. Mr. Romney isn’t proposing anything that would fix that; he is, however, a strong supporter of the Ryan budget plan, which would drastically cut federal student aid, causing roughly a million students to lose their Pell grants.
So how, exactly, are young people from cash-strapped families supposed to “get the education”? Back in March Mr. Romney had the answer: Find the college “that has a little lower price where you can get a good education.” Good luck with that. But I guess it’s divisive to point out that Mr. Romney’s prescriptions are useless for Americans who weren’t born with his advantages.
There is, however, a larger issue: even if students do manage, somehow, to “get the education,” which they do all too often by incurring a lot of debt, they’ll be graduating into an economy that doesn’t seem to want them.
You’ve probably heard lots about how workers with college degrees are faring better in this slump than those with only a high school education, which is true. But the story is far less encouraging if you focus not on middle-aged Americans with degrees but on recent graduates. Unemployment among recent graduates has soared; so has part-time work, presumably reflecting the inability of graduates to find full-time jobs. Perhaps most telling, earnings have plunged even among those graduates working full time — a sign that many have been forced to take jobs that make no use of their education.
College graduates, then, are taking it on the chin thanks to the weak economy. And research tells us that the price isn’t temporary: students who graduate into a bad economy never recover the lost ground. Instead, their earnings are depressed for life.
What the young need most of all, then, is a better job market. People like Mr. Romney claim that they have the recipe for job creation: slash taxes on corporations and the rich, slash spending on public services and the poor. But we now have plenty of evidence on how these policies actually work in a depressed economy — and they clearly destroy jobs rather than create them.
For as you look at the economic devastation in Europe, you should bear in mind that some of the countries experiencing the worst devastation have been doing everything American conservatives say we should do here. Not long ago, conservatives gushed over Ireland’s economic policies, especially its low corporate tax rate; the Heritage Foundation used to give it higher marks for “economic freedom” than any other Western nation. When things went bad, Ireland once again received lavish praise, this time for its harsh spending cuts, which were supposed to inspire confidence and lead to quick recovery.
And now, as I said, almost a third of Ireland’s young can’t find jobs.
What should we do to help America’s young? Basically, the opposite of what Mr. Romney and his friends want. We should be expanding student aid, not slashing it. And we should reverse the de facto austerity policies that are holding back the U.S. economy — the unprecedented cutbacks at the state and local level, which have been hitting education especially hard.
Yes, such a policy reversal would cost money. But refusing to spend that money is foolish and shortsighted even in purely fiscal terms. Remember, the young aren’t just America’s future; they’re the future of the tax base, too.
A mind is a terrible thing to waste; wasting the minds of a whole generation is even more terrible. Let’s stop doing it.
Article by Paul Krugman
http://www.nytimes.com/2012/04/30/opinion/krugman-wasting-our-minds.html?src=me&ref=general
Reblogged from ladijones
This is a short excerpt from the opening reception of the exhibition, Know Gays Aloud, at Art for Change in Harlem. The show features a work by artist and friend, Micaela Anaya entitled, “San Gabriel”. To learn more about the show visit, artforchange.org/
Article by Nicollette Barsamian, Spectator Staff Writer
Art for Change, a nonprofit providing a forum for creating art that inspires social justice, recently opened an exhibit in Spanish Harlem called “Know Gays Aloud.” According to operations chair William Collazo, it “gravitates around four issues of social justice: immigration, LGBT, women’s issues, and poverty/education—we see them as going hand in hand.”
Collazzo sees violence against LGBT people of color as “a perfectly timely issue,” despite significant progress in obtaining equal rights in the United States. Increased hostility in the Caribbean, the Middle East, and Africa has led to a rise in murders and teen suicides worldwide.
The dozen featured artists try to address those problems in a socially conscious and relevant way. “You have people who have fought for equality for their people, yet the LGBT community is exempted from this,” he said. “They are not people. Their community looks at them as an aberration.”
But the pieces in the exhibit speak for themselves.
“My favorite piece is ‘God is a Queer [by D. Shayne Aldrich],’” Colazzo said. He also mentioned “There are No Gays in Iran,” by Michael J. DiRaimondo, which features a man with a gay flag painted on his chest and a bullet shot straight through his forehead with red blood splattering down.
Allyza Lustig, BC ’11 and a volunteer at the exhibit, appreciated the organization’s concrete nature. “AFC is special because it takes art off the pedestal and connects it with real-world social issues that are relevant to the surrounding community.”
For Lustig, the message of the artists’ work and the emotion behind it exceeded her expectations. “Listening to everyone express themselves as individuals and as part of the larger LGBTQ community was very powerful. Whether their work was biographical, recounting a historical event, or based more on ideas and theory, each and every work was profoundly personal,” she said.
Columbia students could get involved with the group by contributing art, visiting the gallery, coming to the opening and closing events, or volunteering, Lustig said. “As a Barnard/Columbia student, I felt I did not have much of a connection with the surrounding community. Working with AFC is a wonderful way to get involved and learn outside of the university bubble.”
The exhibit runs in its exhibition space (1699 Lexington Avenue) every Saturday through June 16 from 1-5 p.m.
http://www.columbiaspectator.com/2012/04/03/harlem-exhibit-fights-social-prejudice
Bell Hooks, “Art of My Mind”: Visual Politics, New Press, 1995